Sir Ronald is woken by three, measured
knocks on the front door of the Armitage Residence.
He wakes slowly. His head … oh! His head!
Tramadol and Speyside whisky vie for supremacy. The result is a scrum of trauma and
ill-feeling; Sir Ronald feels like his skull has been taken over by teams of
warring hooligans, some Scottish.
He consults the clock above the
mantelpiece. It is ten to seven. Or
twenty-five to ten. One of the
two. Where the Hell are his damned
glasses?
The house is silent. Was that somebody at the door?
Three further knocks in solemn
succession resound through the house.
If Sir Ronald’s head was hosting a
scrum, if certainly feels like pharmaceutical mud now. He doesn’t even try to wade towards some sort of conclusion as to who’s at the
door. He’s going to struggle to make it
there in person.
Why doesn’t that bloody woman answer
it?
Because, he thinks bitterly,
staggering towards the hall, his wife will either be asleep or, having heard
the knocking, be hiding in the priest hole behind the panelling in the entrance
hall.
Incredible really. Who else has a wife who hides in an authentic
priest hole whenever somebody comes to the door? What the Hell does she do it for? Totally out of character. It was she, after all, who insisted on
minimum security on the premises for fear of “giving the villagers the idea
that we think we’re above them.”
Well, thinks Sir Ronald, we bloody
well are above them! And that’s why any blasts from his own past
turning up on his doorstep are likely to be exactly that – blasts, from guns wielded by vengeful ex-cons to whom he has
handed, from on high, sentences to match the low nature of their breeding. If anybody should be hiding, it should be him.
And if this is the inbred Mrs. Boggins
from the butchers come merry-a-calling — with her incessant chatter about the
weather, her improbable name, and this damned “Beast from the East” he keeps
hearing about — he’ll have her nicked.
Plain and simple. She should know
better and be using the tradesman’s entrance anyway. That’s what he’ll have her nicked for:
socially-aggravated trespass. That, or patent genetic unsuitability to be at
large in the community at all.
Sir Ronald makes it into the hall and,
head bowed with nauseous determination, drags himself towards the front
door. He trudges past the slim wooden
panel that conceals his wife’s hiding place.
She’ll be watching, that’s for
sure. If she’s in there. But there’s no way of telling if she is actually there, since she always
refuses to respond if she is.
Ridiculous behaviour for a forthright
woman. A daughter of Empire! Sir Ronald warrants that Mary’s mother didn’t
hide in the Nairobi night when the Mau Mau came a-massacring back in the
1950s. Simply not the Family Way — well,
not her family’s anyway.
It is ironic that Mary’s family motto — “constantia
et virtute” — is carved at the top of the very pilaster that conceals the
priest hole.
Above:
By firmness and courage. Firmness represented by one griffin looking very fierce, courage by another looking, to Sir Ronald’s eye, rather smug.
By firmness and courage. Firmness represented by one griffin looking very fierce, courage by another looking, to Sir Ronald’s eye, rather smug.
Below:
Inheritor of said values. Hiding. Firmly and courageously.
Inheritor of said values. Hiding. Firmly and courageously.
Courage, he supposes, is all very well
when you can afford to have it.
Muttering, squinting, hurting, Sir
Ronald pulls back the battered iron bolts of the front door one by one. He manages to turns the big, brutal key, and
winces as the entrance hall is pierced by shafts of fierce, appalling
sunshine.
Sir Ronald squints at the silhouette
before him.
It’s not Mrs Boggins. Standing in the doorway is a tall figure
wearing a motorcycle crash helmet — that’s all he can see.
That’s all he needs to see. Recognition
explodes in Sir Ronald’s head.
Followed by dread. It cuts through his hangover like a hail of
shrapnel.
Sir Ronald suddenly feels such
clarity. He is almost light-headed with
terror.
The last time he saw the man before
him, he was abducted. Mexican-style:
hooded, gun to the head, kicked, screamed at.
He was driven to some sort of ceremonial tree in the middle of a playing
field, or a clearing somewhere. There, on a black November night, his hood was
removed and he was told he was going to die.
It was bloody cold and bloody wet. Being convinced he was going to die
was bad enough. But he knew exactly why, and knew too that he deserved
it. But he didn’t die. Instead the little finger on his left hand
was hacked off, slowly, as an agonising token punishment.
“The next time you see me,” the man
before him had said with his soft, slow, Spanish voice, “you will wish that you
were this finger.” The man had held the severed finger before
the Judge’s puzzled, terrified eyes.
“This has only two more joints to break.
I doubt that it now has the capacity to feel anything. But you do, and so do the five hundred joints
in the rest of your body.”
The finger had looked surreal in the
moonlight, stained black with blood at the severed end, fat and white like an
obscene, undead grub, both alive and dead at the same time.
“Make sure,” the man had said,
bringing his face and a wash of heavy aftershave closer, “Make sure that there
is no next time. I would, gladly, cut
you now, properly, in the prescribed manner.
Carve from you el aguila de sangre. The Blood Eagle. Your ribs extracted from the meat of your
back, one by one, snapped like wishbones to fan your ribcage like a red flower,
to make the wings of the eagle so.
There is four and half hours till dawn.
You would be alive for two of them.
But the woman has begged for clemency on your behalf. I do not know why. I look forward then, with patience, to the
time when clemency is dead. For that
reason alone, I wish you a long life, tu
chingada fresa. For you shall
outlive your stay of execution, and die by a righteous hand. Until the next time.”
This is, surely, “the next time”?
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